Features

Political upheaval. Economic uncertainty. Security fears. Today’s environmental journalism landscape is strewn with hazards. But whether you’re a freelancer or a staffer, you don’t have to face them alone. In fact, the best strategies for coping with on-the-job risks and riding out these tumultuous times involve community and collaboration. Contributors Madeline Ostrander and Michael Bradbury share insights and advice.

Reporting on extreme-weather disasters is complicated, challenging work. Besides covering immediate impacts, there’s the broader context to consider, from climate change to social and political dynamics — all while looking out for your personal safety and well-being. Environmental journalist Colleen Hagerty draws on her own and others’ front-line experiences as she shares insights and advice for telling these high-stakes stories.

Rewilding is a global movement to restore natural processes and boost biodiversity. It’s also the name of an online magazine launched by journalists Kat Tancock and Domini Clark. Their goal? To expose more people to the concept and inspire action through positive storytelling. Co-founder Tancock on the magazine’s editorial vision, opportunities for freelancers to contribute and what rewilding means to her.

Seattle’s heavily polluted Duwamish River is no place to catch fish — except for salmon, which pass quickly through these troubled waters on their way from the sea to their freshwater spawning grounds. With fishing pole in hand, environmental journalist Alex Brown joins jostling crowds of industrial-zone anglers and catches a firsthand view of a spectacle that is both anomalous and awe-inspiring.

For more than a century, oil and gas companies have been drilling — and abandoning — wells across the country, leaving hundreds of thousands to potentially leak pollutants into the air, water and soil. Climate and environment reporter Martha Pskowski looks at how funding and regulatory issues are impacting efforts to identify and plug these wells, and offers resources for drilling into their story.

Queer ecology is an evolving field that challenges traditional assumptions in science and explores LGBTQ+ experiences in an ecological context. It’s easy to catch your audience’s attention with stories about transitioning clownfish or same-sex albatross parenting. But as contributor Isaias Hernandez explains, queer ecology also offers journalists an important perspective for covering a range of environmental issues, from climate risk to pollution exposure, and reimagining environmental narratives.

For years, state-sponsored programs have helped California farmworkers get much-needed access to clean water. But many immigrants now shun these services, afraid of exposure to U.S. Immigration and Customs Enforcement agents. As Circle of Blue intern Anahita Banerjee dug into this story, she discovered that their fear extended to speaking with journalists — and that ICE activities threatened her own safety.

Before giving summer its send-off, consider that heat kills more people in the U.S. annually than any other weather-related disaster. Phoenix journalist Katherine Davis-Young is well acquainted with this human toll. Drawing on her own reporting experience, she looks at how to cover extreme heat in your community. Pro tip: Don’t wait until next summer to familiarize yourself with vulnerable communities and investigate local mitigation policies.

As government resistance intensifies over sharing public records — especially environmental documents — journalists need to hone their skills to get the information they need to do their jobs and serve their audiences. FOIA expert David Cuillier offers tips and tactics to help you use your reporting time and dollars most effectively and ensure your public records requests produce high-quality results.

Fiction and journalism might seem like polar opposites, but some environmental journalists find writing ecofiction is an ideal complement to their day jobs. Drawing on journalistic research skills and curiosity, ecofiction lets them explore environmental issues from a different angle while enjoying an opportunity to unleash their imaginations. Journalist-fictioneers Valerie Brown and Meg Turville-Heitz on working across genre boundaries.