Freelance photographer Morgan Heim explores the ethical and creative considerations of non-traditional photography when reporting on wildlife issues, in a sidebar to the latest EJ InSight. See a slideshow of images with her unique approach [2]. Plus, Heim on surviving in today’s constrained news media economy [3] and the implications for storytelling, independence and integrity.

How do you survive as a freelance wildlife photojournalist in today’s constrained news media economy? In the latest EJ InSight, photographer Morgan Heim shares the approach she has successfully pursued, and shares its implications for storytelling, independence and integrity. See a slideshow of her images [2]. Plus, Heim explores the ethics of non-traditional photography [1].

Veteran National Geographic photojournalist Peter Essick offers practical advice on learning to fly your own drone. Plus, he shares insights [23] and photos [24] from his most recent drone project, capturing the restoration of the Great Lakes, and explains why he sees the combination of drone photography and environmental journalism as a match made in heaven.

A match made in heaven — that’s how veteran National Geographic photojournalist Peter Essick sees the combination of drone photography and environmental journalism. In the latest EJ InSight, Essick shares insights and photos [24] from his most recent drone project, capturing the restoration of the Great Lakes. Plus, in a sidebar, Essick gives practical advice on learning to fly your own drone [22].

There’s nothing like firsthand reporting, even if it means taking a freighter 1,300 miles to the remotest edge of the Hawaiian Archipelago to visit a newly expanded marine national monument. The latest EJ InSights recounts two journalists’ island-hopping journey and their efforts to capture and organize extensive multimedia for an eventual 14-part package. Plus, why they froze their underwear.

In this how-to, veteran environmental photojournalist Dennis Dimick shares new techniques for capturing panoramas from the air — while on commercial plane flights — in order to illustrate human impacts on the landscape. Plus, Dimick details how and why he developed the new approach [34], in our latest EJ InSight column exploring the cutting edge of visual journalism on the environment.

Capturing panoramas from the air has become a passion for veteran environmental photojournalist Dennis Dimick. In the latest EJ InSight, our new column exploring the cutting edge of visual journalism on the environment, Dimick describes how he visualizes the expanding human footprint of the emergent Anthropocene era — by shooting from commercial airplane flights. Plus, Dimick shares his techniques in a how-to sidebar [33].

As part of SEJournal's new EJ InSight column, a quarterly section that will explore the range of photojournalism, videography, information graphics and data visualization for environmental journalism, read a short piece on how print environmental journalists are experimenting with photography.

In the first edition of a new SEJournal column — EJ InSight — we look at how one freelance print journalist took up the camera to diversify her skills and report a unique story from the marshes of Iraq. See a photo gallery [43] of her images. Plus, multimedia efforts from other environmental reporters [40].